Internet divided over King Charles III portrait unveiled at the blue drawing room at Buckingham Palace.King Charles III unveiled the first official portrait of himself, and it is causing quite a range of internet reactions.Artist Jonathan Yeo and Britain's King Charles III at the unveiling of artist Jonathan Yeo's portrait of the King, in the blue drawing room at Buckingham Palace, in London The monarch was at Buckingham Palace Tuesday with Queen Camila, where he pulled down a big curtain to reveal the much-expected portrait - which has a red background, much to the shock of both the royal fans and normies everywhere.Charles' first portrait comes since his May 2023 coronation.

Despite the fact that Charles made the Welsh Guards uniform for the painting, it was the bold, brash backdrop that stole the show, and that led to a tidal wave of online memes and farce.

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Netizens think the portrait looks hell-ish

“Who approved King Charles III's new portrait cuz it looks like he's in hell?!” one quipped.

Another one wrote, “I’m sorry but his portrait looks like he’s in hell.”Without sounding rude, this is the worst royal portrait I’ve ever seen,” one chimed in.

One quipped, “The King's portrait channelling the 'Everything is fine' meme? Just me then.”

Many netizens are saying Charles looks “villainous” in the portrait.

Many think the portrait actually captured Charles' essence

Artist Jonathan Yeo dedicated three years to the creation of this portrait, meticulously crafted during four distinct sessions held at Highgrove and Clarence House. This is quite an accomplishment considering the royal subject’s demanding timetable.

The portrait seeks to encapsulate His Majesty’s “life experiences” and the evolution of his “role in our public life”.

In the artwork, Charles is portrayed wearing the distinguished uniform of the Welsh Guards, set against a dynamic backdrop and foreground filled with expressive brushstrokes in bold shades of red. A butterfly, added at the King’s behest, is depicted as if about to alight on his shoulder.

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Yeo called it “a privilege and pleasure to have been commissioned by The Drapers’ Company to paint this portrait of His Majesty the King.”

Many have expressed mixed reactions to Yeo’s work, “He really captured the essence of him in the face, but the harshness of the red doesn’t match the softness of his expression,” one said.

“This painting is absolutely SPECTACULAR and so sophisticated and STRONG. Congratulations to the artist,” another piped in.

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In its star-studded upfront presentation Tuesday evening, Disney executives and talent consistently returned to a key theme: The company’s reach and tech are unlike those of its competitors.

Among the highlights, Rita Ferro, Disney’s president of global advertising, said that one in two people worldwide now connect with a Disney property every day. Ferro also shared new Nielsen findings released earlier that day, which stated that Disney had the highest share of total TV usage of any media company in April.

“What I’ve learned from being at this company for 27 years is that Disney is unlike any other media company because ofThe emphasis on the scale of the Disney portfolio comes as the streaming ecosystem continues to build out its advertising audience. Similarly, the growing emphasis on profitability across the streaming sector has also pushed publishers to introduce bundled offerings. The combined effect has been a newfound emphasis on collaboration.

In February, Disney, Warner Bros. Discovery and Fox announced their forthcoming streaming sports offering, and last week, Disney also teamed with WBD for a bundle offering with Max, Disney+ and Hulu. Earlier on Tuesday, Netflix announced the introduction of its own bundle, in tandem with Apple TV and Peacock, called StreamSaver.

While Disney would spend the majority of its upfront showcasing the breadth of new content—and new talent—coming to its platform soon, the unspoken catalyst behind many of its most important ventures was the newfound need for collaboration amid today’s viewing fragmentation. the emotional connection it has with people,” Ferro said. 

Prince Harry and Meghan Markle’s Archwell Foundation was found delinquent because state officials failed to process a cheque sent on time, sources close to the couple have fired back.

The foundation has been told to stop soliciting or spending money on Monday as it was warned of fines or suspension amid the records mishap.The delinquency notice was sent by California’s Attorney General Rob Bonta for failing to file its annual reports and renewal fees. As stated on California’s Department of Justice website, a notice is sent to an organisation after it fails to submit complete filings for each fiscal year.

But according to MailOnline, source close to the Duke and Duchess of Sussex claim the charity did send the $200 renewal fee cheque – but it had not been processed by the Registry of Charities and Fundraisers in California Sussex sources told the MailOnline that they had tracked the cheque and confirmed it had arrived to officials on time.

The Sussexes’ foundation was established after they stepped down from their roles as senior working royals and relocated to the US in March 2020. Delinquent charities are ordered to stop fundraising, can face penalties or have their registration suspended or revoked.

According to a letter seen by Page Six, the note adds: “An organisation that is listed as delinquent is not in good standing and is prohibited from engaging in conduct for which registration is required, including soliciting or disbursing charitable funds.”Named in honour of their son Archie, now aged five, the couple said the foundation’s core purpose was “quite simply, to do good”. Their mission statement reads: “We meet the moment by showing up, taking action, and using our unparalleled spotlight to uplift and unite communities, both local and global, online and offline.”

The organisation’s 2021 filing, which was submitted last February, revealed that they had raised $13m (£10.3m) from benefactors, while they had given out $3m in grants.News of the filing comes after the couple spent three days touring Nigeria, where they announced an expansion of their partnership between their foundation and the GEANCO Foundation in Abuka. The initiative, which provides menstrual health products and education for women, will now include mental health resources and training for young men and women.Ahead of travelling to the West African nation, Harry visited London to attend a ceremony to celebrate the 10th anniversary celebrations for the Invictus Games but was snubbed by King Charles.

Despite both father and son being within miles of each other in the capital, the 75-year-old monarch attended a garden tea party and was reportedly “too busy” for a visit. “It’s all very sad,” a friend of the King reportedly told The Times. “While he was hardly going to roll out the red carpet the moment this Invictus trip was announced, with doctors advising him to focus on his treatment and recovery, the idea that he refused to find space in his diary…Well, let’s say recollections may vary once again.”

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The Cannes Film Festival opened Tuesday with the unveiling of Greta Gerwig’s jury and the presentation of an honorary Palme d’Or for Meryl Streep, as the French Riviera spectacular kicked off a potentially volatile 77th edition.

A 10-day stream of stars will soon begin flowing down Cannes’ famous red carpet beginning with the opening night film, “The Second Act,” a French comedy starring Lea Seydoux, Vincent Lindon, Louis Garrel and Raphaël Quenard. During the opening ceremony, Streep will be given her honorary Palme.A person walks along the Croisette ahead of the Cannes film festival, in Cannes, southern France, Sunday, May 12, 2024. The 77th edition of the film festival runs from May 14 until May 25. (AP Photo/Daniel Cole)

In the days to come, Cannes will premiere George Miller’s “Furiosa: A Mad Max Saga,” Francis Ford Coppola’s self-financed “Megalopolis” and anticipated new movies from Paolo Sorrentino, Yorgos Lanthimos, Andrea Arnold and Kevin Costner.

But much of the drama surrounding this year’s Cannes has been off screen.After French actor Judith Godrèche earlier this year accused two film directors of rape and sexual abuse when she was a teenager, the French film industry has been dealing with arguably its defining #MeToo moment. On Wednesday, Godrèche will premiere her short “Moi Aussi.”Asked about #MeToo expanding in France, Gerwig told reporters in Cannes on Tuesday that it’s progress.

“I think people in the community of movies telling us stories and trying to change things for the better is only good,” Gerwig said. “I have seen substantive change in the American film community, and I think it’s important that we continue to expand that conversation. So I think it’s only moving everything in the correct direction. Keep those lines of communication open.”

Gerwig, coming off the success of “Barbie,” is president of the jury that will decide Cannes’ top award, the Palme d’Or. Thierry Fremaux on Monday praised her as “the ideal director” for Cannes, given her ability to work across arthouse and studio film and her interest in cinema history. And, Fremaux said, “We very much liked ‘Barbie.’”Joining Gerwig on the jury is Lily Gladstone, star of “Killers of the Flower Moon,” French actor Eva Green, Spanish filmmaker J.A. Bayona, French actor Omar Sy, Lebanese actor and director Nadine Labaki, Japanese filmmaker Hirokazu Kore-eda, Turkish screenwriter Ebru Ceylan and Italian actor Pierfrancesco Favino.

“I thought I just got over my imposter syndrome last year,” said the Oscar-nominated Gladstone. “But I’ll start all over again.”

The jurors were asked how the many real-world concerns outside the festival might affect their deliberations. One film in competition, Ali Abbasi’s “The Apprentice,” stars Sebastian Stan as a young Donald Trump. And Labaki was asked if the war in Gaza might be on her mind.

“I truly believe that one of the tools to really change something in the situation we all live in right now, which is a situation I think is not that great, is really through art and through cinema,” said Labaki. “It may propose a more tolerant way of seeing things and seeing each other as human beings.”

Filmmakers, Favino said, play the important role of reminding the world of where it can find beauty.“This is why I decided that I could be here without feeling guilty as a human being,” said Favino. “Because if we look for beauty, then we might look for peace.”

Other concerns are also swirling around this year’s Cannes. Festival workers, fed up with short-term contracts that leave them unqualified for unemployment benefits in between festivals, have threatened to strike.

On Monday, the Iranian filmmaker Mohammed Rasoulof, whose film “The Seed of the Sacred Fig” is premiering next week in competition in Cannes, said he had fled Iran after being sentenced to eight years in prison and flogging. The film is said to be a critical depiction of the Iranian regime.

As Cannes continues, though, many will be focused on the stars parading the festival’s famous red carpet. They’ll include Emma Stone, Anya Taylor-Joy, Demi Moore, Selena Gomez, Nicolas Cage and Barry Keoghan. At the closing ceremony on May 25, George Lucas is to receive an honorary Palme d’Or.

Regardless, the 77th Cannes will have a lot to live up to. Last year’s festival, widely celebrated for its robust lineup, produced three Oscar best picture nominees: “Anatomy of a Fall,” “The Zone of Interest” and “Killers of the Flower Moon.” To help rekindle last year’s spirit, Messi, the canine star of “Anatomy of a Fall,” is back in Cannes for a series of brief French TV spots.

A good Cannes will help France keep the global spotlight through the summer. The festival will be followed by the French Open, the Tour de France and the summer Olympics in Paris. On May 21 in Cannes, the Olympic flame will be carried up the steps to the festival’s hub, the Palais des Festivals.

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